the second release on infidel bodies has as its protagonist -le moderniste- for his debut on the italian label, he produced an album industrial / rhythmic noise, a tribute to some legends of noise music such as: marco corbelli (atrax morgue), maurizio bianchi, tairy ceron (today i m dead), rozz williams. this album is an evocation to sacrality and mysterious fascination of death. the artist radicalizes his sound in this release, getting the result: -a strong work, dark, dirty, it smells death and filth- (le moderniste) this special edition provides a particular package composed of two bags stapled with inside: transparent cassette c60 pro-dubbed, artworks (by paul van trigt), hand-sewn insert, black nitrile gloves.

we need to talk. talk about the degree of none-readiness that is present in you. did you know that current value is actually a concept project which reflects on the current value of production standards? probably not. anyway, we proudly present to you current value’s album deadly toys on invisible.
did we mention you are not ready?
pressed on 2 x 12- coloured vinyl, gatefold sleeve & shrinkwrapped.
comes with a download card for the full album in 320 kbps mp3.
artwork by kuldar

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

jeff wayne’s musical version of the war of the worlds on double vinyl, housed in a gatefold sleeve.

discos ato&#769,,,nicos proudly presents the label’s second release: age of aggression by bs-1. this new record was produced by dutch veteran roland van oorschot aka bs–1 growing up, he listened to bands like slayer, fear factory and anthrax, which formed his musical education and continues to impact his productions.

yellow clear vinyl - 200 copies
* the past is never dead. its not even past. often the reverie rolled on deep into the night, an unflagging, unredundant product of the raconteurial mind.* a few years ago the last 12inch on kristofferson kristofferson. 2017, continuation of the story. rising sun indulges in reminiscences with full of breakbeats, deep house and ambient.

the worm’s heart is a complete re-work of the shins’ critically acclaimed album heartworms. the album offers new, reworked versions of the original album tracks with the sequence flipped.
when james mercer wrote, produced, and recorded the heartworms album, he had this desire for an alternate version, an opposite version. the album’s slow songs would be flipped and re-recorded as fast songs, and vice versa. the reasoning was to showcase the versatility and strength of his songwriting, and the result is the worm’s heart. this ‘flipped’ collection is produced by yuuki matthews, jon sortland, & james mercer, and is a must for any fan of the shins.

inspired by the early industrial pioneers, dead crooners and the unrelenting speed of change, uncanny valley combine homemade metallic resonators, pound-shop contact mics and sellotape synthesisers, with human error for unusual effect. remixes come from the fantastic manfredas and mondowski.

limited and numbered multi-coloured 180 gram audiophile vinyl edition of ramin djawadi’s original score for season 7 of the hbo series “game of thrones”. housed in a gatefold sleeve with download code included.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where peoples souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100.

finally here we are with the fourth release on last drop records, signed by the london-based stavrogin. collectors takes a more subdued approach from his debut on australian label 3bs, focusing on ampdriven ambient textures and digital experimentation. sixty acres is a juddering mass of static textures and penetrative low end, forcing itself to a crumbled close. title track collectors is something like the afterglow. weary and destitute, the track stumbles through heatwave soaked atmospheres, fragmented voices stuttering like a malfunctioning android. are these actual miles? is perhaps the most direct, with its tremors of noise punctuated by a rhythmic pulse. this is a feature italian duo ichinen have capitalised on in their closing remix, reducing the track to a warbling, dead-eyed drum workout.

edition 1 is a various artists compilation and the ninth release on alix perez 1985 music. the album is to be understood as a statement of intent as well as a snapshot where the label is right now. alix has assembled his favourite artists operating within the 85bpm / 170bpm axis and the result is a coherent album that cements ties with newcomers such as monty, deft and tsuruda whilst also bringing new light to existing relationships with fracture, ivy lab and chimpo amongst others. its an exciting time for 1985 music, an outlet thats quickly becoming known for great art across the board: be it music, clothing or design.

• divine first vinyl appearance by northern english artist, teresa winter
• follow-up to the acclaimed oh tina, no tina 2015 tape for reckno
• dead uncanny ambient / dream pop / entheogenic reveries
• master and cut by matt colton.
• riyl grouper, f ingers, leyland kirby, early afx, delia derbyshire

white coloured pressing
* the past is never dead. its not even past. often the reverie rolled on deep into the night, an unflagging, unredundant product of the raconteurial mind.* a few years ago the last 12inch on kristofferson kristofferson. 2017, continuation of the story. rising sun indulges in reminiscences with full of breakbeats, deep house and ambient.

drittes album des texanischen produzenten alex cuervo aka espectrostatic, der dystopisch-elektronische klangkulissen voller schaurigem horror und melodischer schönheit mit post-punk-Ästhetik erzeugt. -silhouette- erscheint in einer limitierten, handnummerierten 500er lp-auflage auf transparent-blauem vinyl inklusive download-code.

formed in 1997, and inaugurated that year with a split 12inch from new-comers and label founders, solvent and lowfish, this year suction records celebrates its 20th anniversary with the re-introduction of their famed snow robots series of compilations. while originally started as a north american answer to uk electronix labels like rephlex, skam and warp records, a sound that is still a staple of the current suction records catalog, suctions sound has also swerved into new territories, reflecting our love of dark 80s electronic music synthpop, ebm, and beyond. snow robots volume 4 features an international array of artists, fromsuction records mainstays like digital poodle, june, celldoed, and ceramic hello (with their much sought-after 1982 vocoder anthem), to label-favourites appearing on suction records for the first time: beau wanzer, morah, and one of skanfrom/sleeparchives lesser known aliases, civil defence programme.

“i’m not at all sorry, now that he’s dead,
he took my cheese and ate it in my stead,
he’s punished by fate - god, you’ve avenged me.”
- aesop
“the fox and the raven” is the maiden release for denise rabe’s self titled label, conceived to be the channel thru which her personal, unfiltered, haunting sound will find it’s body and voice.
exemplifying this with the 3 cuts on “the fox and the raven”: driven, hypnotic, techno with a chasing sense of urgency, balanced with eeire lamenting melodies, perfectly fitting the tales of lore chosen to illustrate each release like a volume in an odyssey.
concluding this chapter, a limited pressing of 300 reproductions serigraphed, embossed and scented, echoing how like fables, music, occupies a tangible moment in the listeners life and space.

fleisch is thrilled to present the debut of stockholm’s dissoci&#333,,,, modus tr&#257,,,,ns, aka dmt, featuring four cuts of some of the purest, unadulterated acid ever to hit the streets since orange sunshine. in the words of terence mckenna himself, sampled in the opening title track, “dmt is the strongest hallucinogen there is…”, and dmt certainly hold true to their name as a pair of 303s weave a mind-altering journey through multiple dimensions of being. driven and dirty techno beats form the rhythmic foundation while esoteric vocal samples lead the proceedings through the tibetan book of the dead in “origin/destination” and “bardo th&#333,,,,dol”, and onward into the metaphysical mantra of “trans dimensional”.

steve moore (zombi) returns with another hypnotizing new score for the acclaimed action/horror film mayhem, starring steven yeun (the walking dead, okja). a veritable portrait of shock and dread across seventy-plus minutes of analog synth tension, steve moore methodically crafts pulsating rhythms and penetrating arpeggios that constrict the listener into a deep sense of aural anxiety. with four soundtracks under his belt, steve moore is quickly becoming one of the most sought out synth composers in the horror realm and mayhem is the ultimate demonstration of his unquestionable mastery of the style.
double vinyl in gatefold sleeve with download code included.

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

sean price sadly passed away on august 8th, 2015. sean was 1/2 of heltah skeltah, 1/8 of boot camp clik and developed a cult-like following with his trio of solo album releases starting in 2011. the sean price legacy continues with the highly anticipated posthumous release of his 4th studio album, imperius rex. key selling points: the album features doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price & more. production from alchemist, harry fraud, nottz, amongst others.

berlin’s mechatronica follows up on the last dez williams ep, with a new va compilation featuring the exaltics, drvg cvltvre, le chocolat noir and kluentah.
the exaltics and drvg cvltvre pack the a-side with gritty, hypnotizing acid burners, relentlessly paced and bound to induce frenzy. on the flip, le chocolat noir and kluentah (50% of hamburg duo fallbeil) dive deep into analogue driven electro trips, culminating with kluentah’s 9-minute journey nightliner.

steeped in the influence of flannery o’connor and tom waits, the album wrong-eyed jesus revealed jim white as a spiritual anatomist of the american south. no such place ups the ante revealing a broader, more diverse collection of songs about rage and redemption, depravity and dreams, dead cars and broken hearts. with tracks produced by morcheeba, sade co-founder andrew hale, and q-burns abstract message, along with stellar remixes by japanese underground guru, sohichiro suzuki of world standard and yellow magic orchestra fame, jim finds himself reveling in the unlikely zeitgeist of the new album. “this is a crackpot love letter to all those lost souls out there like me who won’t settle for wrong, but have no clue how to get to right.”

berlin based zehnin keeps up a fine release schedule by asking blawan to remix its inaugural ep from lucy. once again focussing on experimental, ambient and techno sounds, it is another fascinating release. blawan has been in his own sound world for years now. releasing on the likes of hessle audio, hinge finger and his own ternesc, hes made brutalist, heavily textured tracks, big room tools and dark grooves with freaky sound design. its all helped to make him one of the most interesting producers of the day, and here he shows another side to his sound. first up is his version of ‘the hermit, which is seven spacious and mysterious minutes of creeping pads and implicit rhythms. dark but inviting, its stripped back, hollowed out techno that manages to be hugely absorbing and menacing without any clearly defined drums. on the flip is the equally beguiling ‘the high priestess. deep, subliminal kicks set the tone as groaning riffs, train-track percussion and distant, tortured pads all slowly hypnotise. it builds in pressure and creeps you out as it locks you ever further in. this is evocative dead-of-night music that says a lot in impressively economical ways.

brian eno’s 1973 album back on vinyl, 180gr

das akustik-album zum 30-jährigen bandjubiläum als 3-fach vinyl im klappcover.

der soundtrack des renommierten filmkomponisten cristobal tapia de veer zum britisch-amerikanischen thriller the girl with all the gifts (2016) von regisseur colm mccarthy, nach der dystopischen romanvorlage von mike carey, der auch das drehbuch schrieb. der kinostart in deutschland erfolgte anfang februar 2017.
schwarzes 180g doppelvinyl im gestanzten gatefold.

infinite density – the new album by the berlin based, cuban-american artist blush response – is a fantastical exploration into the depths of industrial and ebm techno in collaboration with techno frontman adam x’s infamous imprint, sonic groove. influenced by the progressive noise of autechre, front line assembly and skinny puppy the producer has previously released with aufnahme +wiedergabe and ant-zen, as well as getting his hands dirty with programming work for the industrial pioneers fear factory, rhys fulber as well as latin pop singer cristian castro. infinite destiny takes a firm grip on situationally influenced content, pulling every corner of berlin into its belly for a challenging and unique sound – a sound that’s able to maintain functionality whilst simultaneously exposing loose wires of wild flangers and disturbed sampling. these erratic waves are expressed through the productions infinite density, aum shinrikyo, survivor guilt and dead still air, showcasing the most alien meta-bodies of blush’s sound. as an appropriation on contemporary acidic sound, the sonic motions of serpentine and tryptamine delve into explorations within the acid genre. rhys fulber’s string contribution on painkiller initiates a whirlwind rhetoric of distortion. panic stricken, no solace and tessellate focus on strong industrial pads that carry the density of each track whilst infinite dread’s ebm back bone hits hard with heavy arpeggiation. crucial to its form, the album showcases new experimental sound that repurposes algorithms of today’s dancefloor dogma. blush response exposes these paradigms through mutated build-ups and drops. however, his innovative “modular synth heavy” sound design obscures the flow in a way that permeates the concrete arenas his productions are designed for – in true berlin style.

music from the television drama taboo by max richter on 180 gram vinyl with download code included.

spektakuläres debütalbum des dubstep-produzenten prash mistry aka engine-earz experiment, der bereits mit the prodigy, nitin sawhney, roots manuva gearbeitet und mit the streets, tricky, dj shadow, enter shikari getourt hat. symbol ist ein melting pot diverser stile, majestätischer strukturen, göttlich erzeugter sounds und exzellenter features, darunter von der einzigartigen lisa gerrard (dead can dance), soul-star aloe blacc und dem dubstep-protagonisten flux pavilion. das artwork entwarf nitin shantilal vadukul, bekannt für seine portraits vom dalai lama, barack obama und jay-z. neben cd, lp erscheint symbol auch als blu-ray audio in hochwertiger 5.1 und 9.1 auro-3d-qualität.

the self-titled 1982 debut album from billy idol back on 180 gram vinyl with download code included.

the 2nd album from billy idol, originally released in 1983, now back on 180 gram vinyl

the 1981 album from bob dylan available again on vinyl.

beck’s 1998 album back on vinyl with code for high quality digital download included.

beck verdankt seinem zweiten album odelay ganze zwei seiner insgesamt 5 grammy awards. vollkommen zurecht, das album mit tracks wie »where it’s at« und »devil’s haircut« wurde nicht nur aus kritikerreihen hochgelobt, sondern auch zu einem weltweiten radioerfolg.
sein siebtes album sea change ging in musikalisch neue wege. mitgenommen von einer schweren trennung, wurde sea change zu beck’s ruhigstem und emotionalsten album bislang. der größte kontrast folgte allerdings ein paar jahre später, mit beck’s achtem album guero. das genre-aufwühlende album schoss direkt auf platz 2 der billboard charts – als einziges seiner alben.
die mischung machts, denn beck überzeugt gekonnt mit seiner gewohnt ungewohnten mischung aus pop, rock, folk, country, rap, hip-hop, und und und ...
180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

die wiederveröffentlichung von -the taste of tg - a beginner’s guide to the music of throbbing gristle- fasst das schaffen von throbbing gristle eindrucksvoll zusammen, erscheint erstmals auf (rotem) vinyl als doppel-lp im klappcover inklusive downloadcode. die sammlung umfasst, wie im original, tracks von verschiedenen tg-alben, live-aufnahmen und wird im rahmen dieser veröffentlichung durch den song -almost a kiss- bereichert.

“veil of flames” is the second solo ep by label head kastil in 2017 after the successful “the sadistic abbess” earlier this year.
threading through the corn fields, wearing nothing but a cotton scarf, her body is like an abstract painting. he who beholds her with unpure sentiments, sees not what she is made of.
her fierce complexion radiates briefly before she speeds up her motions. out of breath she arrives at the altar of affection. she won’t sacrifice her decency for a chance to be with god.

sentiment of callousness was written over a one-and-a-half year period of total collapse, characterized by disconnection between the world within and the perception of the world outside.
each of the tracks embodies feelings experienced during this time - from dark to bright, sluggish to energetic, alive to dead, real to unreal, and the self to the other.

phase fatale creates techno from disparate subcultures of dead industrial with a post-punk spirit, bringing back an immediacy and aggressive energy sorely missing in the contemporary electronic landscape.
with “redeemer,” the debut full length from phase fatale, conceived by dj and producer hayden payne in new york by way of berlin, deepens his exploration of the tension—both sonic and conceptual—begun on his eps released over the last three years on the jealous god and unterton labels. in intent and impact, phase fatale bears allegiance to the surreal influence of juan mendez aka silent servant, with whom payne has worked closely in collaboration.

funkadelic have created an enduring legacy, and the power of their impact is visceral in detroit. their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with parliament, funkadelic, parlet, bootsy’s rubber band and the brides of funkenstein all releasing albums the same year for two years in a row. the music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else’s notions of who they could be, having a massive impact on the next generation of detroit music, detroit techno. but more than just techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today s generation of detroit musicians and producers to show the wide range of music that was funkadelic and how these ideas are still contemporary, they endure and inspire.

the 1980s. neo-liberal excess. crumbling communism. military juntas ruling with an iron fist. and of course, freaked out music. contort yourself are turning back the clock and returning to an unholy fount of inspiration with -80s underground cassette culture volume 1. a buffet of beaten up and brutalised tracks are on offer from unknown outfits and respected experimenters. across two lps expect to find noise reductions, post punk bitterness, no wave grunts, distortion soaked strings and vocals lost in a hail of pain. a road map into the weird and wild world of diy back alley artists who, armed with only a tape and an idea, gave the established music norms a sharp fist to the throat.

we welcome gabo barranco to the omnidisc family. gabo has a recklessly curious ear for distortion. an enthusiast and creator of electronic music ranging from classic acid house to crackling ambient to venetian snares-style glitch bass assaults. on jazz d, aaaa channels his admittedly shy personality into an identity-hopping slate of ideas that s undeniably intense.

from dive bar to record label, paradise palms’ fifth release is a follow up instalment to its debut compilation lp, ‘bonnie tropical’. featuring music primarily made in edinburgh and glasgow, the collection shines a light on some of the most exciting music being in scotland today. with contributions from 10 acts, this compilation is a charismatic journey into a new generation of modern electronic and experimental dance music.
the vinyl release includes a download code.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

double 12 inch vinyl plus download code.

the album’s title makes a direct and heartfelt reference to a real-life l.a. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and youtube tirades. “his book and life resonated with me to such a degree,” pink states, “that i felt a need to dedicate my latest record to him.”